The Kodak Flash Bantam is a compact folding camera introduced in 1947 by Eastman Kodak. As the name suggests, the Flash Bantam is the flash-ready variant of the original Bantam line of compact folding cameras which have no flash synchronization capabilities. Like previous Bantams, this model also utilizes 828 film, the unperforated 35mm film that Kodak developed but ultimately abandoned in favor of the now-standard 35mm cartridge.
The Graflex Graphic 35 is a 35mm rangefinder introduced in 1955 by Graflex as a replacement for the Graflex Ciro 35, the camera on which it was also heavily based. The Graphic 35 was designed in the US and earlier examples were made in Rochester although production shifted to Japan with Kowa later on. The lens and shutter were sourced from West Germany.
The Vest Pocket Kodak (commonly known as “VPK”) is an early compact folding camera introduced in 1912 by Eastman Kodak. Designed to fit neatly into users’ pockets and later heavily marketed to British, American, Australian, French, Italian, and other Allied soldiers during World War I, the Vest Pocket Kodak was one of the most successful cameras of its day, reportedly selling over two million units during its 15 year production life. The VPK is also famous for having accompanied English mountaineers George Mallory and Andrew Irvine during their fatal expedition to Mount Everest in 1924. While Mallory’s remains were discovered in 1999, Irvine’s body and camera are still missing. Once found, the hope is that the film inside Irvine’s Vest Pocket Kodak may finally tell us whether or not the two climbers had succeeded in reaching the summit nearly thirty years before Sir Edmund Hillary and Tenzing Norgay‘s 1953 expedition.
The Kodak No. 2A Brownie Model B is a basic box camera made of thick, leatherette-covered cardboard introduced in 1911 by Eastman Kodak. The Model B is an early variation of the ubiquitous No. 2A Brownie which saw a production run from 1907 to 1933 with millions of units. Eventually, later versions of the No. 2A Brownie featured bodies made of aluminum instead of cardboard and saw the camera available in a variety of different colors.
The Graflex Crown Graphic (also known as the Graflex Pacemaker Crown Graphic) is a large format press camera introduced by Graflex Inc. in 1947. The lesser known Crown Graphic is commonly mistaken for the Graflex Speed Graphic which is often regarded as the most famous press camera of all time. The mistake is easy to make, however, since the two cameras are identical apart from an additional focal plane shutter on the Speed.
The Kodak Motormatic 35F is an automatic viewfinder camera introduced in 1962. The Automatic/Motormatic series cameras were the very first automatic exposure 35mm cameras to be made by Kodak and also the very last of their 35mm cameras to be produced in the United States. As their names might suggest, Motormatic cameras are motor-driven while the Automatic range have a manual film advance. Motormatics also have more shutter speeds.
The Kodak No. 2A Folding Pocket Brownie is an early folding camera introduced by Eastman Kodak Company in 1910 at a price of $7 (about $170 in today’s money). The No. 2A is designed for the now defunct 116 film format which is very similar to 616 but with wider spool flanges. While we may think it’s a bit strange for Kodak to name this brick-sized camera a “Pocket” Brownie, it was considerably more portable than many of its contemporaries.
The Kodak Hawkeye No. 2 Model C is a very basic box camera made of thick, leatherette-covered cardboard introduced in the mid 1920s. Interestingly, the Hawkeye, a name so commonly associated with Kodak, was actually originally manufactured by a little known outfit called the Boston Camera Company. The Boston Camera Company was bought out by the Blair Camera Company in 1890 which was then in turn bought by the rapidly expanding Eastman Kodak Company nearly a decade later in 1899.
When it was introduced, the Kodak Jiffy Six 20 was marketed by Eastman Kodak as the simplest, most user-friendly folding camera ever made. Up until that point, most folding cameras were of the same basic design (example: Kodak No. 3A Autographic). They were relatively difficult to handle, complex, and required users to manually unfold the camera and extend the lens in order to take photos. In the spirit of simplicity, the Jiffy boasts a simple two button operation. The first small metal button can be found on the film advance knob’s side of the camera and releases the front plate, causing the metal struts on either side to snap into place and automatically extend the lens. The second button is the shutter lever which can be found on the side of the front plate once extended.
The Kodak Brownie Hawkeye is a simple plastic box camera produced from the late 1940s to the early 1960s. In addition to being made in its flagship factory in New York, the Brownie Hawkeye was also manufactured in Canada and France by its international subsidiaries. Over the years, there have been a significant number of Kodak cameras called the “Brownie;” this Hawkeye is one of the most popular models ever to bear the name.
The Kodak Disc 6100 is a relatively high-end camera produced during Eastman Kodak’s foray into what they expected to be a revolutionary new product: disc film. Unlike the many different formats of the past, disc film was, as its name suggests, contained within a plastic diskette that users could easily load into their cameras. Within the cartridge was a circular piece of film upon which a total of 15 photographs could be exposed. Despite the supposed convenience and ease of use, disc film was a complete flop. Although the tiny negatives contained a fair amount of detail, graininess and lackluster image quality ultimately forced Kodak to quietly kill off the doomed format.
The Kodak Handle was produced during Kodak’s brief and ultimately doomed attempt at instant film. Polaroid took Kodak to court for patent infringement in 1981 in spite of some crucial differences in Kodak’s approach to instant film and instant cameras and eventually won. Defeated, Kodak was ordered to cease production of all instant film and related products (including the Handle) as well as pay Polaroid $925 million (around $1.5 billion in today’s money).
The Kodak 35 RF was rushed to production in Kodak’s attempt to catch up with Argus who, at the time, were having great success with their C series of consumer-friendly rangefinder cameras. Unfortunately, their entire strategy revolved around simply taking the Kodak 35 and slapping on a rangefinder assembly. However, despite their seemingly simple and cost-effective solution, the 35 RF still cost well over twice as much as the ubiquitous Argus C3 and therefore remained eating its proverbial dust until Kodak finally stopped production in 1948.
In 1982, Kodak launched what they thought would be a revolutionary product: disc film. Instead of fumbling around with roll film or awkwardly shaped cartridges, consumers could now load their cameras by simply inserting a thin, sleek bit of plastic into the back.
The Kodak Baby Brownie Special is a very simple box camera constructed of Bakelite, an early plastic. It has a basic meniscus lens with a minimum focus distance of five feet and a single fixed shutter speed (estimated to be about 1/40) activated by the button on the side. The optical viewfinder runs across the top of the camera next to the film advance knob. A nice braided hand strap is supposed to span the top of the camera from the metal brackets on either side but it’s missing on this one.
The Kodak Instamatic 304 is one of the more technologically advanced cameras in Kodak’s famous Instamatic line with a then-sophisticated automatic aperture system controlled by a selenium meter (seen on the front next to the viewfinder). It has a relatively simple Kodar 41mm f/8 lens with two shutter speeds: 1/90 and 1/40 for flash photography.
The Kodak Colorburst 100 was made during Kodak’s relatively brief foray into instant film. Kodak’s instant film was designed to be exposed from the back which meant that they could make their instant cameras more compact than Polaroid‘s which had to accommodate a mirror for their front-exposing film. Unfortunately, none of that mattered when Polaroid filed a lawsuit against Kodak for patent infringement in 1981. After nearly a decade of deliberation, Kodak eventually lost in court and had to cease production of all instant film and related products as well as pay $925 million in damages to Polaroid (around $1.5 billion in today’s money).
The Kodak Instamatic X-35 is a plastic viewfinder camera designed to take Kodak’s then-popular 126 cartridge film. It’s got a 41mm f/8 Kodar lens with two focus zones: two to six feet and six feet to infinity. The shutter has two speeds: 1/90 and 1/45 for flash photography.
The No.1 Pocket Kodak is designed to take Kodak’s then-popular but ultimately short-lived autographic film which allows you to use the camera’s metal stylus (which is usually found attached to the brackets just next to the shutter lever but is missing from mine) to record information about the photograph you just took by opening the squat T-shaped window on the rear panel of the camera and writing directly onto the margin of the negative via carbon transfer paper. Regular 120 film also works, of course.
