Kalimar Reflex

Kalimar Reflex

The Kalimar Reflex (also known as the Soligor 66, Haco 66, and Fodor 66) is an unusual looking 120 format single lens reflex camera originally manufactured by Fujita Kogaku as the Fujita 66 and then rebranded by American distribution company Kalimar (and others) for sale. The Fujita 66 and its clones are heavily based on an upright medium format SLR system developed by the German designer Heinz Kilfitt who also created the Metz Mecaflex as well as the original prototype upon which Robot modeled its cameras.

Wirgin Edixa Flex

Wirgin Edixa Flex

The Wirgin Edixa Flex is a 35mm single lens reflex camera designed by Heinz Waaske (who eventually went on to create the ground-breaking Rollei 35) and introduced in 1958 by the German manufacturer Wirgin. This camera is essentially a slightly simplified clone of the already established Wirgin Edixa Reflex with fewer shutter speed options and is one of many Wirgin cameras to utilize the Edixa name.

Petri Flex 7

Petri Flex 7

The Petri Flex 7 is a single lens reflex camera introduced by Petri in 1964 and is claimed to be the world’s first SLR with a fully integrated cadmium sulfide light meter. Known by many as “the poor man’s Contarex” for its superficial (and most likely intentional) resemblance to the Zeiss Ikon Contarex “Bullseye”, the Flex 7 was marketed as Petri’s flagship model and was supposedly meant to compete with the nigh untouchable Nikon F. Advertisements put special emphasis on the camera’s auto-indexing feature (meaning that the lens’s aperture setting would be automatically relayed to the body), the fact that its integrated light meter had an in-viewfinder indicator, and how Petri’s mastery of mass production meant high quality cameras at low prices.

KMZ Zenit ET

The KMZ Zenit ET is a single lens reflex camera introduced by KMZ in 1981 as part of a long line of SLRs that bear the Zenit name. The Zenit ET was produced by Vileiskiy Zavod Zenit, a factory just outside Minsk that came about as a joint-venture in 1969 between KMZ and MMZ (which later became BelOMO).

Topcon Unirex

The Topcon Unirex is a single lens reflex camera introduced by Tokyo Kogaku in 1969. While not one of the company’s higher end models, the Unirex still carries the high build quality associated with Topcon SLRs.

Kiev-10 Automat

The Kiev-10 Automat is an unusually styled 35mm SLR produced by the Arsenal Factory, one of the most well-known industrial factories in the former Soviet Union and modern day Ukraine. Due to its unconventional looks, bespoke lens system, and advanced technology, the Kiev-10 is widely regarded to be one of the most ground-breaking Soviet cameras of its day.

Kiev-19

The Kiev-19 is a 35mm SLR produced by the Arsenal Factory, one of the oldest and most famous industrial factories in the former Soviet Union as well as modern day Ukraine. After developing their own lens system and producing several SLR models like the Kiev-10 Automat, Arsenal decided to drop it in favor of the Nikon F-mount when they produced the Kiev-17, the direct predecessor of the 19.

Ricoh Singlex TLS

The Ricoh Singlex TLS is an MMM (metal, mechanical, manual) single lens reflex camera introduced by Ricoh in 1967. In addition to selling this camera under the Ricoh name, it was also rebranded for sale in France as the Interflex 7L5 and in the United States as the Sears TLS and the K-Mart Focal TLX at their respective discount department stores.

Canon FT QL

The Canon FT QL is a manual, mechanical single lens reflex camera introduced by Canon in 1966 and is also the first Canon camera to feature TTL (through the lens) metering. The FT QL belongs to the family of SLRs that were designed around Canon’s short-lived FL breech-lock lens mount which lasted from 1964 until the the FD Mount was introduced in 1970. The FT is very similar to its two older brothers: the FX and the FP with the only real difference being the FX’s lack of TTL metering and the FP’s complete lack of integrated light meter. Also included in this family is the unusual Canon Pellix, the first of only a handful of cameras in history to use a fixed translucent pellicle mirror until the concept was resurrected by Sony in 2010 with its Alpha SLT series. The “QL” designation introduced by the Canon FT QL stands for “Quick Load” which denotes the inclusion of a spring-loaded hinge that assists in the loading of 35mm film. This quick loading system can also be found on other Canon models such as the Canonet QL17 G-III.

Nikon Pronea S

The Nikon Pronea S is a fully automatic single lens reflex camera designed for the Advanced Photo System (APS) film cartridge. The now discontinued APS film format was launched in 1996, features an automatically loading cartridge aimed at photographers who were willing to trade a smaller frame size for a hassle-free film loading procedure, and was primarily sold by Kodak as Advantix and Fujifilm as Nexia. APS film had the misfortune of competing directly with a fledgling digital photography market which eventually overtook and completely overwhelmed it. Digital cameras had all but annihilated the APS film market by 2001 but it somehow managed to stagger on until it was officially discontinued in 2011.

Konica FC-1

The Konica FC-1 is the motorless sibling to the FS-1, the very first 35mm SLR to feature a built-in motor drive. The FC-1 belongs to Konica’s second attempt at an SLR system which was based around the AR lens mount and continued until the company ceased production of SLRs entirely in 1987.

Canon AE-1

The Canon AE-1 was one of the very first affordable SLRs with automatic exposure available to the public. During the ’70s and ’80s, competition in the SLR market among Japanese manufacturers was intense and, having lost considerable market share to its biggest rival Nikon, Canon decided to overhaul their entire line of single lens reflex cameras. Nikon more or less had complete control over the professional SLR market at the time so Canon decided to launch its A-series of consumer cameras, the most popular of which was the AE-1. By cleverly simplifying the design and using cheaper materials, Canon were able to keep their costs low and ship out over one million units during its eight year production run to amateur photographers across the globe. Due to its ubiquity, simple construction, and reliability, the AE-1 remains one of the most common manual focus SLRs still in use today.

Nikon F

The Nikon F was Nikon’s very first single-lens reflex camera which, arguably, single-handedly ushered in a golden age for Japanese camera manufacturers and SLRs in general. The legendary F was the first SLR system to gain widespread popularity among professional photographers who in turn used it to document everything from armed conflicts to rocket launches. Its modular design mean that there were a multitude of different viewfinders (mine has a black Photomic FTn meter finder installed), backs, grips, and, of course, lenses available. The F is also extremely well-built and incredibly durable, attributes that helped it become the first 35mm SLR to go into lunar orbit aboard the Apollo 15 space capsule and gave rise to a long line of tough, space-faring professional-grade Nikons that continues to this very day.

Pentax Auto 110

The Pentax Auto 110 is the smallest single lens reflex camera ever made and the only camera with interchangeable lenses ever produced for the 110 film cartridge. A true camera system, the Auto 110 has six available lenses: 18mm, 24mm, 50mm, 70mm, 18mm fixed-focus, and 20-40mm zoom (all f/2.8), two external flashes, an electric film winder, and a slew of macro adapters, filters, diopters, and lens hoods. A third party 1.7x teleconverter was also produced by the German company Soligor.

Nikon Nikkormat FT3

In terms of serious cameras, this is my genesis: the Nikon Nikkormat FT3. My father bought this beautiful camera as a young man in Hong Kong and gave it to me when I began getting serious about photography in college. I’ve spent many hours shooting with this camera and have even lugged it overseas on assignment to various developing countries as my backup and film body. It’s been a sturdy and dependable friend for many years now and has taught me many things about photography, the most important of which is patience.

Pentax P30T

The Pentax P30T is a plastic manual focus SLR spawned during the peculiar limbo period that took place after manufacturers began moving away from heavy, all-metal manual focus SLRs but before plastic autofocus cameras became the norm. The P30T differs from the base P30 and its other variants in that it has a plastic film door as well as a diagonally split focusing screen.