The FED-2 is a 35mm rangefinder built in Kharkov, Ukraine in a factory that was once an orphanage. After the groundbreaking Leica II was introduced in 1932, Soviet leaders tasked the FED factory with building a clone. The FED-2 is a descendant of that first Leica copy. And if thatâs not interesting enough, FED is named after Felix E. Dzerzhinsky who was the founder of the NKVD, the shadowy secret police organization that would eventually become the KGB.
The Argus Autronic II is an automatic fixed-lens rangefinders produced by Argus in 1962. Like many Argus cameras of that era, the Autronic II is fairly unremarkable at a glance with its simple but vaguely awkward styling.
In 1961, Canonâthen an upmarket camera companyâshocked the industry by debuting the Canonet line, a series of modestly-priced compact rangefinders. The very first Canonet model completely sold out in just two hours while worldwide sales hit the one million mark in a mere two and a half years, an auspicious beginning for what would be a wildly popular line of cameras that would span over two decades. The Canon Canonet QL17 G-III is the final high-end model of the Canonet series.
The original Minolta Hi-Matic is one of the first mainstream fixed-lens rangefinders and the first Minolta to feature automatic exposure. The Hi-Matic was also rebadged and sold in the United States as the Ansco Autoset and gained some notoriety after American astronaut John Glenn purchased one at a local drug store shortly before embarking on the Mercury-Atlas 6 space mission. Although there were other cameras on the Friendship 7 spacecraft, Glenn burned through five rolls of film with his new camera while on board, shooting many historical images including this photograph of the earth.
The Yashica Electro 35 GS is a variant of the wildly popular Yashica Electro 35, the first ever camera with full electronic automatic exposure. The GS model you see above also sports gold-plated electrical contacts and boasts a âColor Yashinonâ 45mm f/1.7 lens which is completely identical to the standard (greyscale?) Yashinon but was named as such by their marketing department to capitalize on the growing popularity of color film at the time.
