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Kodak Duex

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Kodak Duex

The Kodak Duex is a collapsible basic medium format viewfinder camera introduced by Eastman Kodak in 1940 for 620 roll film. The Duex is the spiritual successor to the Kodak Duo series of 620 cameras which were designed by Dr. August Nagel (founder of Nagel, Contessa, and thus co-founder of Zeiss Ikon) and produced in the Nagel factory in Stuttgart shortly after the company was sold to Eastman Kodak. The Duo was made in Germany until Kodak shifted production to the United States due to the looming threat of conflict. Then, with the Second World War cutting off access to its German division, Kodak transitioned their 620 offerings from high quality folding cameras to inexpensive and relatively primitive models like the Duex.

Kodak Brownie Vecta

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Kodak Brownie Vecta

The Kodak Brownie Vecta is a simple plastic box camera manufactured by Kodak Ltd., London—Kodak’s British division—in 1963 for the 127 film format. The camera’s stylish looks can be attributed to world-renowned industrial designer Sir Kenneth Grange who, in addition to a handful of Kodak cameras, is also responsible for the InterCity 125 High Speed Train as well as the modern London Black Cab).

Kodak Retina II

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Kodak Retina II

The Kodak Retina II is a high-end 35mm folding camera introduced in 1936 by Kodak AG, Eastman Kodak’s branch in what was then Nazi Germany. Like the original Retina, the Retina II was designed by Dr. August Nagel, founder of Nagel (which he sold to Kodak) and Contessa as well as co-founder of Zeiss Ikon. There are a number of different variants of the Retina II, the first three of which were manufactured before and during the early stages of World War II. In 1941, the Kodak AG factory in Stuttgart halted operations and began contributing to the war by making time-delay fuses for shells used by the much-feared 88mm Flak anti-aircraft gun. Then, shortly after Germany’s surrender in May 1945, camera production resumed and more versions followed. The exact Retina II pictured here is a type 142 (produced from 1937-1939) which is characterized by having separate viewfinder and rangefinder windows as well as a knurled knob for advancing the frame.

Kodak Flash Bantam

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Kodak Flash Bantam

The Kodak Flash Bantam is a compact folding camera introduced in 1947 by Eastman Kodak. As the name suggests, the Flash Bantam is the flash-ready variant of the original Bantam line of compact folding cameras which have no flash synchronization capabilities. Like previous Bantams, this model also utilizes 828 film, the unperforated 35mm film that Kodak developed but ultimately abandoned in favor of the now-standard 35mm cartridge.

Kodak 35

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The Kodak 35 was the first 35mm camera manufactured by Kodak in the United States. The Kodak Retina series—earlier 35mm models—were being made in Germany starting in 1934 but as war loomed on the horizon, Kodak decided to develop a 35mm camera that wouldn’t have to rely on imported components. The other major motivation for Kodak to make the 35 was to compete directly with the Argus A and Argus C series of cameras, a battle it would eventually lose.

Kodak Hawkeye

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The Kodak Hawkeye (also commonly sold as the “Baby Hawkeye,” “Hawkeye Ace,” and “Hawkeye Ace De Luxe” in several slight variations) is a simple box camera made of leatherette-covered cardboard with a metal face. The Hawkeye was manufactured by Kodak Ltd., London—the British subsidiary of Eastman Kodak—and appears to have only been available in select European markets when it was introduced in 1936.

Kodak Instamatic 500

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The Kodak Instamatic 500 is a high-end viewfinder camera designed for the 126 film cartridge and manufactured by Kodak AG—Eastman Kodak’s German branch—starting in 1964. The 500 is arguably the most well-built and highest quality fixed-lens camera in Kodak’s expansive Instamatic line but the title of flagship model belongs to the Instamatic Reflex, an interchangeable lens SLR system camera also built by Kodak AG.

Imperial Instant Load 900

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The Imperial Instant Load 900 is a simple viewfinder camera manufactured by the Imperial Camera Corporation of Chicago. When it debuted in 1963, the 900 was one of the first cameras designed to be used with Kodak’s 126 film cartridge which had been introduced just earlier that year.

Kodak No. 2A Brownie Model B

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The Kodak No. 2A Brownie Model B is a basic box camera made of thick, leatherette-covered cardboard introduced in 1911 by Eastman Kodak. The Model B is an early variation of the ubiquitous No. 2A Brownie which saw a production run from 1907 to 1933 with millions of units. Eventually, later versions of the No. 2A Brownie featured bodies made of aluminum instead of cardboard and saw the camera available in a variety of different colors.

Kodak Motormatic 35F

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The Kodak Motormatic 35F is an automatic viewfinder camera introduced in 1962. The Automatic/Motormatic series cameras were the very first automatic exposure 35mm cameras to be made by Kodak and also the very last of their 35mm cameras to be produced in the United States. As their names might suggest, Motormatic cameras are motor-driven while the Automatic range have a manual film advance. Motormatics also have more shutter speeds.

Kodak EasyShare V570

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The Kodak EasyShare V570 is a high-end compact digital camera introduced by Kodak in 2006 and the first ever dual lens digital camera to see production. With its classic lines and minimalist design, the V570 received a gold medal at the 2006 Industrial Design Excellence Award and went on to spawn two more dual lens digital cameras: the Kodak V610 and the V705.

Kodak No. 2A Folding Pocket Brownie

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The Kodak No. 2A Folding Pocket Brownie is an early folding camera introduced by Eastman Kodak Company in 1910 at a price of $7 (about $170 in today’s money). The No. 2A is designed for the now defunct 116 film format which is very similar to 616 but with wider spool flanges. While we may think it’s a bit strange for Kodak to name this brick-sized camera a “Pocket” Brownie, it was considerably more portable than many of its contemporaries.

Kodak Hawkeye No. 2 Model C

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The Kodak Hawkeye No. 2 Model C is a very basic box camera made of thick, leatherette-covered cardboard introduced in the mid 1920s. Interestingly, the Hawkeye, a name so commonly associated with Kodak, was actually originally manufactured by a little known outfit called the Boston Camera Company. The Boston Camera Company was bought out by the Blair Camera Company in 1890 which was then in turn bought by the rapidly expanding Eastman Kodak Company nearly a decade later in 1899.

Kodak Jiffy Six 20

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When it was introduced, the Kodak Jiffy Six 20 was marketed by Eastman Kodak as the simplest, most user-friendly folding camera ever made. Up until that point, most folding cameras were of the same basic design (example: Kodak No. 3A Autographic). They were relatively difficult to handle, complex, and required users to manually unfold the camera and extend the lens in order to take photos. In the spirit of simplicity, the Jiffy boasts a simple two button operation. The first small metal button can be found on the film advance knob’s side of the camera and releases the front plate, causing the metal struts on either side to snap into place and automatically extend the lens. The second button is the shutter lever which can be found on the side of the front plate once extended.

Kodak Brownie Hawkeye

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The Kodak Brownie Hawkeye is a simple plastic box camera produced from the late 1940s to the early 1960s. In addition to being made in its flagship factory in New York, the Brownie Hawkeye was also manufactured in Canada and France by its international subsidiaries. Over the years, there have been a significant number of Kodak cameras called the “Brownie;” this Hawkeye is one of the most popular models ever to bear the name.

Kodak Disc 6100

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The Kodak Disc 6100 is a relatively high-end camera produced during Eastman Kodak’s foray into what they expected to be a revolutionary new product: disc film. Unlike the many different formats of the past, disc film was, as its name suggests, contained within a plastic diskette that users could easily load into their cameras. Within the cartridge was a circular piece of film upon which a total of 15 photographs could be exposed. Despite the supposed convenience and ease of use, disc film was a complete flop. Although the tiny negatives contained a fair amount of detail, graininess and lackluster image quality ultimately forced Kodak to quietly kill off the doomed format.

Kodak No. 3A Autographic

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The Kodak No. 3A Autographic is one of Kodak’s early folding cameras and was designed to take a variant of 122 format film, commonly known as the postcard format. The specific variant in question is 122 autographic which allows you to use the camera’s metal stylus (seen here held by a metal clip onto the back of the camera) to record information about the photograph you just took by opening the long window underneath the stylus holder on the rear panel of the camera and writing directly onto the margin of the negative via carbon transfer paper. However, since autographic 122 seems to be nearly impossible to find these days, regular 122 film also works.

Kodak Handle

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The Kodak Handle was produced during Kodak’s brief and ultimately doomed attempt at instant film. Polaroid took Kodak to court for patent infringement in 1981 in spite of some crucial differences in Kodak’s approach to instant film and instant cameras and eventually won. Defeated, Kodak was ordered to cease production of all instant film and related products (including the Handle) as well as pay Polaroid $925 million (around $1.5 billion in today’s money).

Kodak 35 RF

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The Kodak 35 RF was rushed to production in Kodak’s attempt to catch up with Argus who, at the time, were having great success with their C series of consumer-friendly rangefinder cameras. Unfortunately, their entire strategy revolved around simply taking the Kodak 35 and slapping on a rangefinder assembly. However, despite their seemingly simple and cost-effective solution, the 35 RF still cost well over twice as much as the ubiquitous Argus C3 and therefore remained eating its proverbial dust until Kodak finally stopped production in 1948.

Kodak Tele Disc

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In 1982, Kodak launched what they thought would be a revolutionary product: disc film. Instead of fumbling around with roll film or awkwardly shaped cartridges, consumers could now load their cameras by simply inserting a thin, sleek bit of plastic into the back.

Kodak Baby Brownie Special

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The Kodak Baby Brownie Special is a very simple box camera constructed of Bakelite, an early plastic. It has a basic meniscus lens with a minimum focus distance of five feet and a single fixed shutter speed (estimated to be about 1/40) activated by the button on the side. The optical viewfinder runs across the top of the camera next to the film advance knob. A nice braided hand strap is supposed to span the top of the camera from the metal brackets on either side but it’s missing on this one.

Kodak Instamatic 304

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The Kodak Instamatic 304 is one of the more technologically advanced cameras in Kodak’s famous Instamatic line with a then-sophisticated automatic aperture system controlled by a selenium meter (seen on the front next to the viewfinder). It has a relatively simple Kodar 41mm f/8 lens with two shutter speeds: 1/90 and 1/40 for flash photography.

Kodak Six-20 Bull’s Eye

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The Kodak Six-20 Bull’s Eye is a box camera made of Bakelite, an early plastic. The shutter lever is located under a simple meniscus lens with a minimum focus distance of eight feet and a fixed shutter speed with manual bulb mode activated by the lever above the lens. The primitive viewfinder is only usable for approximating composition and runs along the top of the camera next to the circular metal knob that’s used to advance the film after each exposure. The little nub opposite the braided handle is used to keep the lens level when the camera’s resting on its side for portraits.

Kodak Colorburst 100

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The Kodak Colorburst 100 was made during Kodak’s relatively brief foray into instant film. Kodak’s instant film was designed to be exposed from the back which meant that they could make their instant cameras more compact than Polaroid‘s which had to accommodate a mirror for their front-exposing film. Unfortunately, none of that mattered when Polaroid filed a lawsuit against Kodak for patent infringement in 1981. After nearly a decade of deliberation, Kodak eventually lost in court and had to cease production of all instant film and related products as well as pay $925 million in damages to Polaroid (around $1.5 billion in today’s money).

Kodak Instamatic X-35

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The Kodak Instamatic X-35 is a plastic viewfinder camera designed to take Kodak’s then-popular 126 cartridge film. It’s got a 41mm f/8 Kodar lens with two focus zones: two to six feet and six feet to infinity. The shutter has two speeds: 1/90 and 1/45 for flash photography.