subminiature

Rollei A110

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Rollei A110

The Rollei A110 is a high-end subminiature camera introduced by Rollei in 1974. After nearly ten years of the Rollei-16, which used the company’s own proprietary 16mm film cassette, Rollei decided to abandon the ultimately unsuccessful format and tasked legendary designer Heinz Waaske (who designed other innovative and groundbreaking models such as the as the Rollei 35, Rollei A26, and Rolleimatic) to create the A110 as the first of a new generation of subminiatures to use Kodak’s vastly more popular 110 film cartridge instead.

Minox 110 S

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Minox 110 S

The Minox 110 S is a subminiature 110 format camera introduced in 1975. This slim little camera was first presented to the public alongside the revolutionary Minox 35 EL at Photokina 1974 which unfortunately meant that it was pretty much completely overshadowed by its bigger brother. Produced by Balda on behalf of Minox, the 110 S also had an alternate life as the Balda 1000 but with different lenses. In an ocean of inexpensive 110 cameras like Eastman Kodak‘s Pocket Instamatic line, the Minox 110 S is of surprisingly high quality. Despite its plastic construction, there’s nothing about it that feels flimsy or cheap.

Toyoca Hit

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The Toyoca Hit is a family of subminiature novelty cameras introduced by the company commonly known as “Toyoca,” a contraction of “Toyohashi” (the city in which they were based at the time) and “camera.” These tiny, inexpensive cameras became extremely popular in post-war Japan and abroad, causing dozens upon dozens of models to be manufactured by a wide variety of companies. One of the most successful of these was the Hit.

PowerShovel Demekin Fisheye

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The PowerShovel Demekin Fisheye is a tiny, fisheye lens-equipped camera designed by PowerShovel, Ltd. for the 110 film cartridge. PowerShovel, also known as SuperHeadz was founded in the year 2000 by Hideki Omori after he successfully introduced plastic Russian cameras to Japan. Such cameras were cheaply made and often technically flawed but, much like the Lomography movement that swept through the Western world at roughly the same time, these “toy cameras” gained popularity in Japan through the interesting and unusual effects that their plastic lenses and light leaks often had on images.

Minolta-16 MG-S

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The Minolta-16 MG-S is a subminiature “spy” camera made for use with Minolta’s proprietary 16mm film cartridge and introduced by the Japanese camera company in 1970. Ten different Minolta-16 variants were made during its nearly 20 year (1955-1974) production run. The MG-S was the ninth model and widely considered to be the most advanced of them all.

Kodak Disc 6100

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The Kodak Disc 6100 is a relatively high-end camera produced during Eastman Kodak’s foray into what they expected to be a revolutionary new product: disc film. Unlike the many different formats of the past, disc film was, as its name suggests, contained within a plastic diskette that users could easily load into their cameras. Within the cartridge was a circular piece of film upon which a total of 15 photographs could be exposed. Despite the supposed convenience and ease of use, disc film was a complete flop. Although the tiny negatives contained a fair amount of detail, graininess and lackluster image quality ultimately forced Kodak to quietly kill off the doomed format.

KMZ F-21 Ajax

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The KMZ F-21 Ajax is a subminiature spy camera produced during the Cold War by the Krasnogorsk Mechanical Works just outside Moscow. The F-21 was designed and manufactured specifically for the KGB and was highly favored by Soviet intelligence for its diminutive size and ease of use. During covert operations, the Ajax could be surreptitiously operated with a remote shutter cable and concealed within a number of specially made disguises including coat buttons, belt buckles, purses, and even full-sized camera cases. The F-21 Ajax is still illegal to own in some places due to its role as an espionage tool. In 2013, Ukrainian camera collector Alexandr Komarov was arrested for owning two of these and faced up to seven years in prison.

Pentax Auto 110

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The Pentax Auto 110 is the smallest single lens reflex camera ever made and the only camera with interchangeable lenses ever produced for the 110 film cartridge. A true camera system, the Auto 110 has six available lenses: 18mm, 24mm, 50mm, 70mm, 18mm fixed-focus, and 20-40mm zoom (all f/2.8), two external flashes, an electric film winder, and a slew of macro adapters, filters, diopters, and lens hoods. A third party 1.7x teleconverter was also produced by the German company Soligor.

Kodak Tele Disc

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In 1982, Kodak launched what they thought would be a revolutionary product: disc film. Instead of fumbling around with roll film or awkwardly shaped cartridges, consumers could now load their cameras by simply inserting a thin, sleek bit of plastic into the back.