Carl Zeiss Jena Werra

Carl Zeiss Jena Werra

The Carl Zeiss Jena Werra is the very first model in a line of sleek 35mm viewfinder cameras produced by VEB Carl Zeiss Jena, Zeiss Ikon’s factory in the city of Jena where the company was originally founded in 1846. After the war, Zeiss Ikon’s assets were divided alongside Germany into east and west. While the company re-established itself as Zeiss Ikon AG in the western city of Stuttgart as the East German government took control and nationalized what remained in Dresden, the factory in Jena also split with much of the assembly line being transplanted to the town of Oberkochen.

Zeiss Ikon Ikoflex IIa (855/16)

Zeiss Ikon Ikoflex IIa

This Zeiss Ikon Ikoflex IIa, which was introduced in 1953, is the second of two mechanically equivalent but cosmetically different twin lens reflex cameras that share the exact same name and model number (855/16). The earlier Ikoflex IIa from 1950 featured a body which was a natural evolution of the original Ikoflex II while the later IIa has an original design that went on to become the foundation for the Zeiss Ikon Ikoflex Favorit, the final model in the storied Ikoflex family.

Rollei 35

Rollei 35

The Rollei 35 was a revolutionary viewfinder camera debuted in 1966 by Rollei-Werke Franke & Heidecke and is still one of the smallest full-frame 35mm cameras ever made. Curiously, the story of this legendary camera begins not at Rollei, but at rival camera manufacturer Wirgin in the early 1960s. Wirgin’s chief designer Heinz Waaske had just finished developing the Edixa 16—a subminiature camera which parasitically made use of its competitor’s proprietary 16mm film cassette while offering itself as a more economical alternative to the Rollei 16.

Zeiss Ikon Ikonette (500/24)

Zeiss Ikon Ikonette

The Zeiss Ikon Ikonette (500/24) is an unusual, kidney-shaped 35mm viewfinder camera introduced in 1958 by Zeiss Ikon (not to be confused with Zeiss Ikon’s Ikonette (504/12) folding camera from 1929). Unlike anything Zeiss Ikon had produced either before or since, the plastic Ikonette’s primary selling points were its simplicity, price, and looks. It was also, as far as I can tell, the only Zeiss Ikon camera that was ever marketed specifically towards women, stating that their eyes will “light up” as the camera “instantly appeals to the feminine sense of beauty” and that “it’s so easy to operate, she’ll get fine pictures right from the start.”

Hasselblad 500 C/M

The Hasselblad 500 C/M is a medium format single lens reflex camera introduced in 1970 by Victor Hasselblad AB in Göteborg, Sweden. This model is one of the later models in Hasselblad’s V-System, a wildly popular camera system that boasts a wide variety of modular parts like viewfinders, film backs, cranks, and, of course, lenses. The 500 C/M is based on the original 500 C from the late 1950s: the first of many modified Hasselblad cameras to be taken into space by NASA astronauts.

Zeiss Ikon Box Tengor (56/2)

The Zeiss Ikon Box Tengor (56/2) is a well-built and relatively advanced box camera (regarded by some as “the king of box cameras”) introduced by Zeiss Ikon shortly after the end of World War II and the subsequent division of Germany. The Zeiss Ikon Box Tengor line is a continuation of the original Box Tengor series manufactured by Goerz before it merged with ICA, Ernemann and Contessa-Nettel to form Zeiss Ikon in 1926. The 56/2 is the final camera to bear the Box Tengor name.

Zeiss Ikon Contaflex I (861/24)

The Zeiss Ikon Contaflex I (861/24) is a fixed-lens SLR introduced by Zeiss Ikon AG Stuttgart in 1953. After the post World War II division of Germany, Zeiss Ikon also divided into Zeiss Ikon AG Stuttgart in the west while the remainder stayed in the east as VEB Zeiss Ikon Dresden. Unfortunately, the original factory in Dresden was heavily damaged by Allied bombing campaigns which left Zeiss Ikon no choice but to innovate. The result? The Contaflex: the very first 35mm SLR with a leaf shutter.

Zeiss Ikon Ikonta A (521)

The Zeiss Ikon Ikonta A (521) is a medium format camera introduced in Nazi Germany shortly before the outbreak of World War II. During that time, Zeiss Ikon produced some of the most advanced cameras of the day until the Second World War all but ground things to a halt. The brutal carpet bombing of Dresden in the war’s final stages caused heavy damage to Zeiss Ikon’s factory and destroyed the schematics and prototypes of many of its models.

Yashica T4 Super D

The Yashica T4 Super D is one of the last models of the T* series of compact cameras made by Kyocera (who owned Yashica at the time) in partnership with renowned German lens manufacturer Carl Zeiss AG. All cameras in this series used high quality Carl Zeiss Tessar lenses with the legendary T* coating which meant superb image quality in a small package. The Yashica T4 and its variants were also sold as the Yashica T5 and the Kyocera T Proof.

Yashica T AF-D

The Yashica T AF-D is a high-end 35mm compact camera introduced in 1985. Shortly after acquiring Yashica in the fall of 1983, Kyocera took advantage of its existing licensing agreement with renowned German lens manufacturer Carl Zeiss AG and began production of the T* series, a successful line of compact cameras that use high quality Carl Zeiss Tessar 35mm lenses with the legendary T* coating. The very first model was the Yashica T AF which was closely followed by this data back-equipped AF-D variant.